Music Modes
Conventional, non-encoded two-channel recordings present a challenge when we try to reproduce
them in multichannel. Unlike most modern movie sound tracks, which incorporate information toOperating the Citation 5.0
direct the microprocessor as to the proper location of speciŢc audio signals, non-encoded recordings
contain no such clues. While the use of Digital SoundŢeld Processing (DSP) can provide realistic
surround-sound effects, its use frequently also results in a degradation of the quality of the sound,
frequently as a Oharshness� not originally present in the recordings.
Using CitationOs proprietary surround matrix designs and 6-Axis Steering Logic technology, the 5.0
overcomes the limitations frequently associated with DSP. By carefully analyzing the spatial clues and
ambient re�ections which are part of most stereo recordings, the ultrafast steering logic of the 5.0,
along with other proprietary circuitry, enables the soundŢeld processor to produce a pleasing and
accurate multichannel soundŢeld from many types of two-channel recordings.
As with OMovies,� experimentation is the key to enjoyment. The ModesO names are a guide as to
what type of music they were designed for, but experiment and see which modes sound best in your
listening environment.
Rockemploys extremely fast steering logic, minimal delay in the stereo back channels, making it a
good choice for popular music.
Jazzis perfect for vocal or acoustic music and new-age recordings. It features a wide center
front-stage soundstage and a diffuse, deep back-channel sound.
Class(Classical) is designed for use with large orchestral or acoustic recordings, particularly those
made in large concert halls. In this mode, the center speaker is off. The speed of the steering logic
is slower in this mode, to accommodate the long transient times in classical recordings, and the
surround delay is increased to simulate the way sound travels in a concert hall.
2-Channelis a two-channel stereo presentation of digital sources, often referred to as Lt and Rt.
3-Channelis similar to 2-Channel, with the addition of a center channel. No surround information
is utilized.
Partyproduces a stereo image in both the front and rear channel speakers; no processing is done to
the signal.
6-Axisis a Citation-developed method of extracting surround-sound information from bothencoded
and conventional stereo analog sources. It is a very convincing method of extracting and reproducing
the original ambience of a recording, due in large part to its ability to provide stereo, not mono (as
in Pro Logic), signals to the surround loudspeakers, and to create a sixth Ophantom� soundsource in
the center rear of the listening room. This creates a Osixth axis� where there is no loudspeaker, greatly
adding to the sense of realism.
Whether working with encoded or two-channel stereo, the reproduction of derived multichannel
surround sound cannot be as exact as that provided by the 5.1 discrete channels of DVD. Some
degree of control and variability of how the channels are derived, steered to the correct loudspeakers,
delayed and equalized tonally are necessary, and are provided in the 5.0 as different modes of sur-
round decoding, many of which can be modiŢed by the user. (See the description of the Customize
Modes menu in the OAdvanced Features� section of this Manual, page 55.)
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ACEC
HARMAN KARDON
