Fantom-XR_r_e.book 58 Z8 Xr
Creating a Patch
Cutoff Frequency
Modifying the Brightness of a
Selects the frequency at which the filter begins to have an effect on
Sound with a Filter (TVF/TVF Env)the waveformOs frequency components.
Value: 0�127
With OLPF/LPF2/LPF3� selected for the Filter Type parameter,
For details on these settings, refer to OHow to Make Patch lower cutoff frequency settings reduce a toneOs upper harmonics for
Settings� (p. 46).a more rounded, warmer sound. Higher settings make it sound
brighter.
If OBPF� is selected, harmonic components will change depending
Patch TVFon the TVF Cutoff Frequency setting. This can be useful when
Filter Typecreating distinctive sounds.
With OHPF� selected, higher Cutoff Frequency settings will reduce
Selects the type of filter. A filter cuts or boosts a specific frequency lower harmonics to emphasize just the brighter components of the
region to change a soundOs brightness, thickness, or other qualities.sound.
ValueWith OPKG� selected, the harmonics to be emphasized will vary
OFF:No filter is used.depending on Cutoff Frequency setting.
LPF:Low Pass Filter. This reduces the volume of all
frequencies above the cutoff frequency (Cutoff Freq) in
order to round off, or un-brighten the sound. This is the To edit the overall patch while preserving the relative
differences in the Cutoff Frequency values set for each tone, set
most common filter used in synthesizers.the Cutoff Offset parameter (p. 49).
BPF:Band Pass Filter. This leaves only the frequencies in the
region of the cutoff frequency (Cutoff Freq), and cuts the
rest. This can be useful when creating distinctive sounds.Resonance
HPF:High Pass Filter. This cuts the frequencies in the region Emphasizes the portion of the sound in the region of the cutoff
below the cutoff frequency (Cutoff Freq). This is suitable frequency, adding character to the sound. Excessively high settings
for creating percussive sounds emphasizing their higher can produce oscillation, causing the sound to distort.
tones.Value: 0�127
PKG:Peaking Filter. This emphasizes the frequencies in the
region of the cutoff frequency (Cutoff Freq). You can use
To edit the overall patch while preserving the relative
this to create wah-wah effects by employing an LFO to differences in the Resonance values set for each tone, set the
change the cutoff frequency cyclically.
LPF2:Low Pass Filter 2. Although frequency components Resonance Offset parameter (p. 50).
above the Cutoff frequency (Cutoff Freq) are cut, the fig.06-034.e
sensitivity of this filter is half that of the LPF. This makes LPFBPFHPFPKG
Level
it a comparatively warmer low pass filter. This filter is High
good for use with simulated instrument sounds such as Frequency
the acoustic piano.
LPF3:Low Pass Filter 3. Although frequency components Cutoff frequency
above the Cutoff frequency (Cutoff Freq) are cut, the
sensitivity of this filter changes according to the Cutoff
frequency. While this filter is also good for use with
simulated acoustic instrument sounds, the nuance it
exhibits differs from that of the LPF2, even with the parameter value
same TVF Envelope settings.
If you set OLPF2� or OLPF3,� the setting for the Resonance Low
parameter will be ignored (p. 58).
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ACEC
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