ROLAND GW-7 Instruction Manual

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Performance Functions and Effects
2PITCH SHIFTShifts the pitch of the original sound. Two
Multi-Effect Listpitch-shifted sounds can be layered onto the
original sound.
OFFMFX will not be applied.FB PITCH SFTPitch shifter in which the pitch-shifted
ENHANCERControls the harmonic structure of the high-sound is fed back to the input, producing an
frequency portion of the sound, adding echo.
sparkle and improving the definition.OD>CHORUSOverdrive and chorus are connected in se-
OVERDRIVE 1�4Produces a natural-sounding distortion typ-ries.
ical of a vacuum tube amplifier.OD>FLANGEROverdrive and flanger are connected in se-
1: Small ampries.
2: Built-in typeOD>DELAYOverdrive and delay are connected in series.
3: Large double-stack amp
4: Large triple-stack ampDS>CHORUSDistortion and chorus are connected in se-
ries.
DISTORTION 1�4Produces a more intense distortion than DS>FLANGERDistortion and flanger are connected in se-
Overdrive. Four types are available.ries.
PHASERAdds a phase-shifted sound to the original
sound, and modulates it over time to pro-DS>DELAYDistortion and delay are connected in series.
duce a twisting and turning sensation.EH>CHORUSEnhancer and chorus are connected in se-
ries.
AUTO WAHCyclically moves a filter to produce a wah EH>FLANGEREnhancer and flanger are connected in se-
effect (cyclic change in tone).
ROTARYSimulates the sound of classic rotary speak-ries.
ers from the past. You can switch the rota-EH>DELAYEnhancer and delay are connected in series.
tional speed (slow/fast) by moving the CHO>DELAYChorus and delay are connected in series.
BENDER/MODULATION lever away from FL>DELAYFlanger and delay are connected in series.
yourself, realistically simulating the behav-CHO>FLANGERChorus and flanger are connected in series.
ior of an actual rotary speaker. This is partic-CHO/DELAYChorus and delay are connected in parallel.
ular effective when applied to organ sounds.
ST FLANGERProduces a metallic whooshing effect remi-FL/DELAYFlanger and delay are connected in parallel.
CHO/FLANGERChorus and flanger are connected in paral-
niscent of a jet airplane taking off and land-lel.
ing.
STEP FLANGERThe pitch of the flanger sound changes in
stepwise fashion.
COMPRESSORSuppresses high-level sounds and boosts
low-level sounds, making the overall vol-
ume more consistent.
LIMITERCompresses sounds that are louder than a
specified level, thus preventing distortion.
HEXA CHORUSSix-phase chorus that adds depth and spa-
ciousness to the sound (six chorus units with
different delay times are layered).
TREMOLO CHOChorus with an added tremolo effect.
ST CHORUSStereo chorus.
SPACE-DA multiple chorus that applies two-phase
modulation in stereo. It does not produce an
impression of modulation, but generates a
transparent chorus effect.
ST DELAYRepeats the input sound to create echoes.
MOD DELAYAdds modulation to the delayed sound, cre-
ating a flanger-like effect.
3TAP DELAYThree delayed sounds are panned to mid-
dle, left, and right.
4TAP DELAYFour delayed sounds are heard.
TM CTRL DLYThis is a delay that lets you change the delay
time in real time by operating the modula-
tion lever.
REVERBAdds reverberation to the original sound,
simulating a large space.
GATE REV NRReverb that cuts the reverberation during its
decay.
GATE REV RVGated reverb, where the reverberation grad-
ually increases.
GATE REV S1Reverb sound that moves from right to left.
GATE REV S2Reverb sound that moves from left to right.
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