ENGLISH
AS100D Front Panel FeaturesAS100D Front Panel Features
27. Volume ControlChannel 4 - Auxiliary
Channel 2 - Acoustic Instrument andChannel 1 and Channel 2 mix
Adjusts the volume level of channel 3.
Microphone Anti Feedback Section.32. Phono Inputs
ENGLISH 28. Bass Control Left and right phono sockets for connection to
9. Instrument Input 18. �OnO Switch
Adjusts the amount of bottom end or bass in yourCD/MD/Tape player, Drum Machine or other
Mono jack input. Plug the lead from your guitar inActivates the Anti Feedback filters (items 21 & 22)sound. Too much bass can cause unwanted feedbacking equipment. This channel works in stereo.
here to connect to channel 2 only.for both acoustic instrument channels. back, therefore care should be taken when setting
this control. The best position to start is 1233. Volume Control
10. Microphone Input19. Depth Switch
oOclock, then adjust from there as desired.Controls the volume level of the auxiliary channel.
XLR type socket to connect a microphone toIncreases the depth for both notch filter controls
channel 2.20 & 21.29. Treble Control Stereo Digital Effects
Adjusts the high end or treble frequencies in your
11. Link Channel 1 Switch20. Rotary Feedback Filter (Sweep 1) tone. Again, care should be taken when setting34. Program Select Control
Switch to link channel 2 (when an instrument withSweeps the band of frequencies most likely tothis control as too much treble will cause high
a single stereo jack is connected) to the stereocause body resonance (the main offendingpitched feedback. The starting point of the Rotary control to select one of the 16 digital
Input of channel 1 (see item 1). Channel 2 levelfeedback frequencies) from 50Hz - 250Hz and12 oOclock position is best, then adjust from thereeffects programs.
and EQ settings will affect the signal connected toreduce it when selected.to suit your own preference.35. Parameter Adjust Control
the ring of the stereo input jack. (item 1). Refer to
block diagram.21. Rotary Feedback Filter (Sweep 2)30. Internal Effects Mix ControlAdjusts the main parameter of the effect selected
by Program Select Control (item 34). The main
Provides a second sweep of a broader band ofSelects the amount of effect from the built in
12. Contour Switch frequencies (60Hz - 650Hz) to help remove thedigital effects for channel 3 only.parameter is decay time for all Reverb and Delay
Changes the contour of the channel EQ by cuttingsecond offending frequency.programs. For Chorus, Flange and Modulation
the Mid by a predetermined amount.TIP: In order to select and eliminate the offending31. External Effects Mix Control programs, it is the Speed.
frequencies, select the point where the feedback justSelects the amount of effect on channel 3 from36. Effects Level Control
13. Phantom Switch
appears and move the frequency control until itany external effects processor connected throughControls the amount of the digital effects signal in
If you require Phantom power for your condenserdisappears. Next, increase the gain level until thethe FX Loop.the mix.
microphone, pressing this switch provides +15V.
feedback reappears and adjust the frequency again,
14. Phase Switchthen back off the level slightly.Master Volume
Reverses the phase of the signal to cut out
Channel 1 and Channel 2 mix
unwanted resonances caused by the instrument37. Master Volume Control
and speakers being in phase. This canEffects SwitchesControls the overall volume level of the AS100D.
considerably reduce the amount of low frequency
acoustic feedback.22. Internal Effects Switch
Ensure that you test this in the position where youActivates the internal stereo digital effects section
for the acoustic instrument channels.AS100D Rear Panel Features
will actually perform.
23. External Effects Switch
15. Volume Control
1. Mains Input5. Stereo Effects ReturnActivates the external effects loop for the acoustic
Adjusts the volume level of channel 2.
instrument channels.Plug the mains power cord provided in hereLeft (mono) and Right returns to accept the output
16. Bass Control from an external effects processor. If the
2. Footswitch Jack Socket
Channel 3 - Microphoneprocessor is mono (such as a floor pedal),Adjusts the amount of bottom end or bass in your
For connection to the supplied remote footswitchconnect to the left (mono) return jack.
sound. Too much bass can cause unwanted feed
24. Microphone Inputwhich provides switching of both internal andback, therefore care should be taken when setting
external effects.6. D.I. Outputs
this control. The best position to start is 12 XLR type socket to take the input from an external
Left and right direct outputs, fully balanced for
oOclock, then adjust from there as desired.microphone for either vocal or instrument3. Effects Send
connection to external PA mixing desk.reproduction.
17.Treble Control Sends the signal from the AS100D to the input of
25. Phase Switchan external effects processor.7. Line OutAdjusts the high end or treble frequencies in your
tone. Again, care should be taken when settingReverses the phase of the signal to cut out4. Effects Level ControlUnbalanced Left and right direct outputs for
connection to recording or other outboard
this control as too much treble will cause highunwanted resonances caused by the instrument
Rotary control to adjust the external effects returnequipment.
pitched feedback. The starting point of the 12and speakers being in phase.
level.oOclock position is best.then adjust from there to
suit your own preference.26. Phantom Switch
If you require Phantom power for your condenser
microphone, pressing this switch provides +15V.
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