1�3b: Tone GeneratorBrass Model
The Decay and Release that you specify here willThis oscillator is a physical model which simulates lip-
control the output level of the oscillator. In order forreed instruments such as a trumpet or trombone.
these settings to have an effect, they must be setBy using key velocity or modulation wheel to modulate
longer than the decay and release of the EG which youthe Pressure (the force of breath blown into the mouth-
are using for the Amp.piece) you can produce performance expressions that are
very similar to those of an actual lip-reed instrument.
Decay[0�99]The parameters are as follows: Inst Type determines the
Specifies the decay time of the tone generator.model which simulates the bore length and shape of the
instrument, Breath Pressure indicates the force of breath
Release[0�99]
that is blown into the mouthpiece, Lip Character
Specifies the release time of the tone generator.
produces the tonal changes that result from lip position or
tension, Bell Character produces the tonal changes that
result from the shape of the end of the bore, and Peaking
1�3c: Overtone
EQ performs a final tonal adjustment.
Signal Flow
Level[0�99]
Brass ModelPeaking EQStrength
Specifies the volume of the higher overtones that are
produced when the tone generator vibrates.Brass Model
Lip (Character)
Specify tonal change produced by lip position
Frequency[0�99]Bell
Inst TypeSpecify the shape
Specifies the frequency of the overtones.Select a model which simulatesthe bore length and shape of of the end of the bore
various instruments
Decay[0�99]
Specifies the decay time of the overtone volume.
Pressure Specify the force of breath that is blown into the mouthpiece
{Noise Specify the amount of breath noise
1�3d: Pickup
Location[0�99]
Specifies the location of the pickup in relation to theThis oscillator allows you to choose from two types of pitch
tone generator. With low settings, the pickup will bebending: jump bending using a mode jump as on a trumpet
placed in the center of the vertical vibration of the(by varying the bore length), and smooth bending produced
tone generator, causing the second partial to beby sliding the length of the bore as on a trombone.
emphasized and the fundamental to be less audible.
For some parameter settings, the pitch may not
AMS (Alternate Modulation Source)change according to the notes that are played on
[Off�MIDI:CC#83]
the keyboard. In some cases, high-pitched notes
Selects a modulation source (p.48 of this manual)may have a lower volume, or may not sound at all.
that will control OLocation.�
1�3a
Intensity (Pickup Location AMS Intensity)
[�99�+99]
1�3b
Specifies the depth and direction of the effect of OAMS.�
1�3c
1�3e: Low EQ
1�3d
Makes settings for a Low EQ (shelving type) that will
1�3e
adjust the output signal.
Frequency[0�49]
Specifies the cutoff frequency of the Low EQ (shelving
type) that will be applied to the output signal.1�3a: Inst Type
Gain[�18�+18]
Inst Type
Specifies the gain of the Low EQ.
[Brass 1, Brass 2, Brass 3, Horn 1, Horn 2, Reed Brass]
Selects the instrument type which will determine the
bore length and shape of the simulated instrument.
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ACEC
KORG
