PRTCH OLOCH'" Rear Panel
affected any by PRO MASTER console controls, so console
e~implex 24V Switch .Reverb Switch Jack @?Q lnput Jack
should be turned off when connecting external equipment to
Turn on when powering low-impedance condenser micro- Provides for connection of remote reverb footswitch; reverb Provides for insertion of sianais from MONITOR or EFFECTS this jack.
phones from the console; turn off when not used. Balanced channel and master controls can be preset and added by OUTPUT from the console"or from an external mixer, at the
low-impedance microphones may be used in combination performers when needed. Switch closure acts same the as same time disconnecting the normal signal. The inserted
@RUX Output Jack
with condenser microphones. NOTE: Do not turn on when turnlng down the REVERB RETURN control, disabling the signal w~ll be affected by graphic the equalizer, not but by the
using unbalanced low-impedance microphones. The built-ln reverb. Footswitch cable need not be sh~elded. MASTER VOLUME control. If there is no connection at the PA Provides aux level signal to tape recorder, other mlxer or
24 Vdc simplex voltage IS applied to input channels 1 through INPUT, the inserted signal to passes the power amplifier, and amplifier, or house sound system. Signal is pre-graphic
6 BAL LO IMP connectors to power most condenser micro- @?ffects Output Jack the graphic equalizer and ampl~fier power are used for the equalizer and is affected by all other console controls except
phones. Make sure the microphone(s) will operate properly monitor or effects system. lnserted is signal not affected by monitor.
Connect to external effects devices as echo, such delay,
with 24 Vdc open-circuit voltage and a 1.8k powering resistor. any PRO MASTER volume controls, so console should be
flanger, or phase shifter input. Affected INPUT by channel
turned off when connecting external equipment to this ~MIC jack. Output Jack
ATTEN, VOLUME, EQ and EFFECTSIREVERB controls, and -
master EFFECTS SEND control. Connect effects device out- Provides balanced, low-impedance, microphone-level s~gnal
put (return) jack to AUX INPUT 7 or 8. Aux channel VOLUME TEQ Output Jack to tape recorder or house sound system when used In con-
control becomes effects return control. EFFECTS OUTPUT junction with built-in systems. Allows PRO MASTER console
This COMmon MIX (output-input) jack provides for pick~ng off
Monitor Output Jack jack may be used as second (post-fader) monitor by connect- to be used for mixing, monitoring or recording. Connect to
the equalized signal for connection a to tape recorder or
ing to external amp power or console PA (power amplifier) or low-~mpedance microphone input jack. is Signal pre-graphic
Prov~des unbalanced line level output (intended for connec- another power amplifier, or insertion 6f signals from other PRO
EQ INPUT equalizer and is affected by all other controls except monitor.
tion unbalanced to auxiliary or line bridging inputs) for sepa- MASTER consoles addition in to the existing equalized signal.
rate monitor amplifier system. (pre-fader) Output precedes lnserted signal is not affected any by console controls.
@Mix Output Jack
channel VOLUME, EQualization, and EFFECTSIREVERB
controls. Adjust ~nd~vidual channel MONITOR controls for This COMmon MIX (output-input) jack provides a post-
.PA lnput Jack
desired mix, and MASTER MONITOR control for overall level. MASTER volume, pre-graphic equalizer output or input for
Connect to PA (power amplifier) INPUTor EQual~zer INPUT to picking off the mix for Insertion into tape recorders or other Provides for insertion of signals into power amplifier from
use console power amp or graphic equalizer for monitor, or power amplifiers, or inserting external s~gnals from other PRO console outputs (MONITOR, EFFECTS, etc.), at the same time
connect to external power amplifier. MASTER'" consoles. disconnecting the normal s~gnal. lnserted signal is not |
ACEC
