Setups
The versatility of the PRO MASTERTM is in part achieved by the many PATCH BLOCKTM (rear
panel) inputs and outputs which permit its use in a wide variety of applications. The setups
described in this section offer some idea the of varied applications of the PRO MASTER.
Use only high-quality, shielded patch cords for patching. Turn the PRO MASTER power
switch off when making patch connections to avoid possible high-level transients, noise
and hum.
Basic Sound Reinforcement (See Setup 1 .)
No rear panel patching is required. Plug in the micro-
phones and speakers. Set the front panel operating
controls as desired (orange marks on controls indi-
cate basic or initial settings). Use the FEEDBACK
FINDERTM and graphic equalizer to suppress
feedback tones.
Sound Reinforcement and Mono Tape Record
and Playback (See Setup 2.)
Connect the s~eakers to the SPEAKER OUTPUTS
jacks. connect the AUX OUTPUT to the tape recorder
aux input jack, and the tape recorder aux output to a
channel 7 or 8 AUX INPUT jack. Note that the tape
recorder input is not affected the by graphic equalizer.
If the frequency-shaping effects of the graphic
AUX
equalizer are desired during recording, connect the
tape recorder aux input to the PRO MASTER EQ
a* SPEAKER @a0? 0
ouTPUTs
OUTPUT jack. In the playback mode, the graphic
equalizer can be used as a tone control. @a a@
AUX
IN
TO CHANNEL 7 OR 8 AuX
INPUT OUTPUT 4 D IAE$~~~~ |