Surround Mode 4
DTS NEO:6
With the high precision digital matrix decoder used for DTS-
ES Matrix 6.1, DTS NEO:6 gives you 6.1 multi-channel
surround sound from any stereo source.
< DTS NEO:6 will not work on monaural source.
DTS NEO:6 Cinema
This mode is optimized for movies.
Decoding is performed with emphasis on separation
performance to achieve the same atmosphere with 2-channel
sources as with 6.1-channel sources.
DTS NEO:6 Music
This mode is suitable for music.
The front left and front right signals bypass the decoder and
are played directly so there is no loss of sound quality, and
the effect of the surround signals from the center, surround
left, surround right and surround back channels adds a
natural sense of expansion to the sound field.
Dolby Digital
During playback of a DVD disc recorded in DOLBY DIGITAL
format, the surround mode is set to DOLBY DIGITAL or
DOLBY DIGITAL EX automatically.
Dolby Digital delivers up to 5 totally discrete, full frequency
audio channels (front left and right, center, and surround left
and right), plus 0.1 channel called LFE (Low-Frequency
Effects). LFE delivers a separate non-directional bass signal to
the sub-woofer for more dynamic deep bass sound effects.
Dolby Digital Surround EX
This mode creates the back (sometimes also referred to as
Osurround center�) signals from the surround left and right
signals in Dolby Digital 5.1 channel source using a matrix
decoder and provides 6.1 channel surround playback. With
this additional channel, you can experience more dynamic
and realistic moving sound.
< As the surround back channel is matrix-encoded onto the left
and right surround channels, no information is lost when
played with 5 speakers.
< When Dolby Digital EX sources are decoded with a Dolby
Digital EX decoder, the format is automatically detected upon
decoding and the Dolby Digital EX mode is selected.
However, some Dolby Digital EX sources may be detected as
Dolby Digital sources. In this case, the Dolby Digital EX mode
should be selected manually to play these sources.
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