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ZbeB?O
Marshall JCM-2000
This patch is modeled after the powerful sound which uses the silicone rectifier section of that popular amplifier. You
i`A`ji`A`j
may want to play riffs and solos with this sound valued by heavy rock guitarists.
A0C0
EQUALISATIONREVERBCLASSIC GAIN / CHANNEL AEQUALISATIONREVERBCLASSIC GAIN / CHANNEL AReferenced album: "Hybrid Theory" by Linkin Park (2001)
46464646464646464646OFFOFFOFFOFF46464646464646464646OFFOFFOFFOFFThis sound features the high-quality sound of our G2�s signal processing technology with a clean and lush chorus plus
2828282828282828282802422828282828282828282800152delay patch. Try to use it for accompaniments in pop music, or solo music with your favorite guitar.A1C1
5
010010010010010010010010010010010010010010010010010010010010
PRESEMCETREBLEMIDDLEBASSCHANNEL BVOLUMEVOLUMEGAININPUTGAINCHANNELPRESEMCETREBLEMIDDLEBASSCHANNEL BVOLUMEVOLUMEGAININPUTGAINCHANNELWe have already started to call this sound of the UK rock band �traditional�. This patch is modeled after the punchy
DEEPTONE SHIFTCLEANREAD 1DEEPTONE SHIFTCLEANREAD 1
CRUNCHREAD 2CRUNCHREAD 2sound of the overdriven JCM 800 amplifier and thus it is suitable also for the hard plucking of modern punk rock guitar
style. This is the sound of Humble Pie in later years with Dave Clemson as its guitar player.A2C2
Referenced album: �Smokin�� by Humble Pie (1972)
We took advantage of a newly developed fast tracking pitch shift algorithm and created this simulated synthesizer sound.
Fender TWIN Reverb
We hope you will come up with great solos using this sound reminiscent of Jan Hammer�s exciting trades with Jeff Beck.
A3C3
i`A`ji`A`jReferenced album: �Wired� by Jeff Beck (1976)
34894545344545451212This patch is a straightforward modeling of the sound of that black-face Fender Twin Reverb and provides a clean sound
257063632536363BRIGHTBRIGHT
61617272616727272that is indispensable for the ensemble. With the EFX module switched on, you can add that unique tremolo effect to get
75818178181818.5554.555
8149090899090that retro-sound instantly. We have selected a room ambience as default to make this patch suitable for current musical A4C4
91023119101011
OFFOFFstyle but, of course, you can replace it with the spring reverb simulation.
NORMALNORMAL
VOLUMETREBLEMIDDLEBASSVOLUMETREBLEMIDDLEBASS
This wildly fat sound with infinite sustain is modeled truthfully after the sound created by the combination of MXR�s Dyna
Comp and Dallas� Fuzz Face. Designed for using your guitar�s front pick-up.
A5C5
Referenced album: �In The Court Of The Crimson King� by King Crimson (1969)
This patch is suitable for the funky chordiing. The most popular effects for the funk guitar sound are the wah-wah pedals
Roland JC-120
but here we have chosen the phase shifter to create a unique feel. We have also refreshed the flavor of this vintage
i`A`ji`A`jstomp box sound to fit more modern styles.
A6C6
CHANNEL-1CHANNEL-1Referenced album: �Ship Ahoy� by O�Jays (1973)
HIGHHIGH
BRIVOLUMETREBLEMIDDLEBASSBRIVOLUMETREBLEMIDDLEBASS
55555555This patch is the simulation of the legendary tone of the BOSS OD-1 that is considered the de-facto standard for the
overdrive stomp box. The patch can provide high playability and retains the nuances of the guitarists� touches. The
LOWOFFLOWOFFA7C7
5555550100~30100~3addition of the chorus effect will enable the guitar players to adapt to virtually any musical situations.
010010010010010010010010This patch provides a mild lead sound accompanied by the harmonies based on the C major scale and makes our G2 the
world�s first effective device in the class that features the HPS (harmonized pitch shifter) function. You can select the key
and the scale according to the phrase you play.A8C8
With this patch selected, your electric guitar will start to sound like an acoustic electric guitar. We would recommend you
to combine this patch with the single-coil type front pick-up. You can also use this patch actively to create the clean
A9C9
ensemble effect.
Even if you are the type of guitar player who is proud of wailing solos, you may sometimes want to use thrash power
chords (with some muting-technique on the bridge). The distorted sound of this patch provides the best playability for
that purpose.B0d0
Referenced album: �Dookie� by Green Day (1994)
This patch provides you with a clean sound with effective use of the compressor. If you add the delay effect with delay
time set to synchronize with the 8th notes, you will get Andy Summers� signature sound for arpeggios.
Referenced album: �Synchronicity� by the Police (1983)B1d1
Many people through the years have favored Carlos Santana�s guitar sound. This patch is modeled specifically after his
Early Reflection Dynamic Delay/Dynamic Flanger
wailing lead sound with sweet distortion. Any of his hits like �Black Magic Woman�, �Europe� or �Adouma� will sound
Early Reflection is the component of the reverb sound that reaches to the listener first This is the so-called ducking effect: the mix balance of the dry signal and the effect
pleasant if you make use of this patch.B2d2
after the original sound has bounced off the wall. The reverb sound consists of this signal of a delay or a flanger is controlled by the envelope of the original signal of the
Referenced album: �Amigos� (1976) and �Shaman� (2002) by Santana
early reflection and the late reflection, and the former characterizes the size of the guitar.
room. The early reflection effect extracted from the whole reverb sound has been In the Dynamic Delay section, you can set the �SENSE� parameter to the minus value This patch provides the jet sound from the good old days created by the combination of the edgy vintage distortion stomp
quite popular among the rack-mounted signal processors but we have arranged this to get the ducking delay effect: the feedback component in the delayed signal is not box and the flanger. We have rearranged that sound to give a hybrid tone that is retro sounding and refreshing at the
B3d3
effect on the G series especially for the guitar. To get the most popular type of this put out while there is an input signal and the feedback component arises as soon as same time by combining the dry distortion, flanging jet-effect and lush reverb.
Referenced album: �Barracuda� by Heart (1972)
effect, you can set the �SHAPE� parameter to the plus value (decaying effect) and the input signal is muted. This effect is very handy when, for example, you play fast
adjust the �DECAY� parameter to decide the size of the simulated room. If you phrases on the guitar and the feedback component gets in the way. On the other This patch is modeled after the classical Brit clean sound of the VOX AC series guitar amps operated in the class A
would like a wild effect, set the �SHAPE� parameter to the extreme minus value and hand, you can set the �SENSE� parameter to the plus value and you will have the without the negative feedback. The sound of those amps became enormously popular in the British musical industry of
you will get the special effect that sounds like the tape machine played in reverse.feedback component while you are playing the guitar and you can cut off the the 1960s, continued through many famous British groups in the 1970s and has remained popular to this day.B4d4
feedback as soon as you mute the guitar, which should be very handy in the break of Referenced album: �1962-1966�Red Album� by the Beatles
EXTRA EQa song where you want to mute all of the sound.
This powerful sound is the result of the deepest distortion ever created by any multi-effect pedals. The overwhelming
In addition to the frequency ranges of 160Hz, 800Hz and 3.2kHz (LOW, MID and The same thing goes with the �Dynamic Flanger�: you can set the �SENSE�
presence of the power chords in lower registers and the smooth responses to the tapping technique will be favored by the
TREBLE respectively,) controlled by the normal EQ module, you can boost or cut the parameter to the minus value and you will get no flanging effect while the input B5d5
connoisseurs of the high-gain sound.
ranges of 400Hz, 6.4kHz and 12kHz using the LOW MID, PRESENCE and HARMONICS signal is high and you will get flanging effect when you lower the signal level of the
controls respectively in the EXTRA EQ module. These frequency ranges are rarely input. You can get a unique effect like a long note that is completely dry at the This patch is modeled after the sound that utilizes the so-called Leslie effect for its vibrato-like character and it is popular
controllable with other effect devices made for guitars. With �PRESENCE� you can beginning and then the flanging effect is gradually added as the signal level of the among the American blues-rock players like the late S.R.V. It is suitable for crisp rhythm playing or the dynamic chording.B6d6
adjust the high frequency range that affects the projection of the sound and with note decreases. On the other hand, you can have the flanging effect only when you Referenced album: �Texas Flood� by Stevie Ray Vaughan (1983)
�HARMONICS� you can tweak the overtone contained in the clipped sound. The play loud if you set the �SENSE� parameter to the plus value. This effect works great
Recently E.V.H. is known as the user of the 5150 amps but in the past he used to create that big crunchy sound with his
overdriven sound of tube amplifiers is rich in overtone and this EXTRA EQ module is when you want to embellish the accents in your arpeggios and riffs or to add a
specially modified Marshall amp. This patch is the consummate simulation of that E.V.H. sound from his early years. The
indispensable for the simulation of this aspect of the sound.hidden flavor to your lead guitar sound.B7d7
name of this patch is, of course, borrowed from that greatest album of V. H. with David Lee Roth.
Referenced album: �1984� by Van Halen (1984)
Multi Tap Delay
With this effect, you can utilize up to eight independent delay lines whose delay The sound will remind you of the soundtracks of the James Bond series or Spaghetti Western movies.
Referenced album: The soundtracks from �007, Dr. No� (1962)
times can be set separately to make rhythmical patterns. We also provided eight B8d8
practical settings ranging from the constant rhythmic pattern to the random one. Try
This sound is ZOOM�S original that became a favorite of the guitarist Brian May. The patch has a very strong character
pattern 2 for example: the played notes are fed back like rhythmical patterns that will but you can hear how it is effectively used in his actual recordings. If you are big-fan of Brian May, you may also want to
inspire you to come up with various phrases one after another. You could apply this try the sound with the �step� turned �off� and the �delay� turned �on�. You will be transported to the world of
effect to your solo performances as something different from the sound-on-sound �Brighton Rock� with that incredible guitar orchestration. With the additional use of the HPS set to the minor 3rd in the B9d9
effect. This effect is programmed as a stereo ping-pong delay and thus we strongly key of E, you will be able to perfect the simulation!!
recommend you to try it using headphones. The delay time can be set to 3 sec. Referenced album: �Innuendo� by Queen (1991)
maximum.
Note 1 : The default patches stored in the pre-set area from the bank No. 0 to No. 3 are the same as those stored in the banks from A to d.
Note 2 : We recommend you to adjust the parameter for the noise reduction according to your guitars and amps. |
ACEC
