MASTER SECTION FEATURES
In the master section, signals leaving the
LAMP
channel strips are mixed, manipulated and
sent to the outputs in the patchbay. Addition-
UUU
CLIPally, there are four more stereo inputs here,
11128
SOLO10used to add effects to the main mix or otherOO+15OO+20OO+15
UUU7destinations.
4
222
2
OO+15SOLOOO+20OO+1545. LAMP
UU0
TO AUX2
SENDThis female BNC connector provides 12
33-
124
SOLO(EFX TO MONITOR)volts on its center pin. Connect any qualityOO+15OO+20
7
UUUgooseneck lamp here.
10
4420
OO+15SOLOOO+20OO+2030AUX SEND MASTER: (46 and 47)
UTAPE40
RETURN
LEVEL SETLEFTRIGHT46. AUX SEND MASTERS5
OO+15SOLOASSIGNTO SUBOPERATING LEVEL0dB = 0dBu
UGLOBAL
AUX RETURNAux send signals originate at each channelOs
63-4AUX (26) knobs, are mixed together, sent1-2
OO+15RUDEPOWERthrough these controls, and exit at theSOLOSUBSOLO
SOLO
AUX SENDSTEREOLIGHT
MASTERSAUX RETURNSpatchbayOs AUX SENDS (10). Turned fully up,
UMODEthese controls provide 15 dB of additional gain,
TRACKTRACKTRACKTRACKthe center OU� label is unity gain and fully down
1234is off.OO+15PRE FADER
YYYYLEVELIN PLACE AFL
When an aux send is used for monitors,
5678
SOLOAUXSUBthese knobs can be used to raise or lower indi-
5555vidual monitor mixes to suit the performerOs
taste. For recording work, these knobs are typi-
0+100+100+100+10OOMAXcally set near unity and left alone; mostMAIN MIX
AIRAIRAIRAIRLEVEL
adjustments are made per channel.
16kHz16kHz16kHz16kHz
SOLOSOLOSOLOSOLOAUX 1-247. SOLO
TALKBACKEngaging any of these switches will isolate
the associated signal and send it to the control
room, phones and meters. See RUDE SOLO
TAPE RETURNOOMAXLIGHT (61) and MODE (63) for more informa-
LRLRLRLRTO PHONES / C R
PANPANPANPANPHONES / C-Rtion.
LEVEL
L/R ASSIGNL/R ASSIGNL/R ASSIGNL/R ASSIGN
MAIN MIX
SUBSUBSUBSUBTAPE RETURNLEFT/RIGHT
TO MAIN MIX
1234
dBdBdBdBdB
1010101010
55555
UUUUU
55555
1010101010
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ACEC
