SUBGROUPS: (56 through 60)
LAMP
56. AIR
UUU
CLIPAIR is a high frequency peaking EQ cen-
11128
tered at 16kHz. Turned fully up, these controls
OO+15SOLOOO+20OO+1510
UUU7provide 10dB of boost and fully down effec-
4
222tively bypasses the circuit. Use AIR to provide a
2
OO+15SOLOOO+20OO+15crystalline effect to subgroups, helping them
UU0
TO AUXstand out in the overall mix.2
SEND
331-24
(EFX TO MONITOR)
OO+15SOLOOO+207+15
UUU+10
10
+5
4420
0AIR
OO+15SOLOOO+20OO+2030
UTAPE�5
40
RETURN�10
5�15
LEVEL SETLEFTRIGHT
OO+15SOLOASSIGNOPERATING LEVEL0dB = 0dBu20Hz100Hz1kHz10kHz100kHz
TO SUB
UGLOBAL
AUX RETURN
1-2
3-457. SOLO6
OO+15SOLOSUBSOLORUDEPOWER
SOLO
AUX SENDSTEREOLIGHTEngaging this switch isolates the associated
MASTERSAUX RETURNS
signal and sends it to the control room, phones
UMODE
and meters. See RUDE SOLO LIGHT (61) and
TRACKTRACKTRACKTRACK
MODE (63) for more information.
1234OO+15PRE FADER
YYYYLEVELIN PLACE AFLNote: To solo a subgroup in AFL mode, L/R
5678ASSIGN (59) must be engaged.
SOLOAUXSUB
5555
58. PAN
When a mono subgroup signal is assigned to
0+100+100+100+10OOMAXMAIN MIX
AIRAIRAIRAIRLEVELthe main mix via L/R ASSIGN (59), it effec-
16kHz16kHz16kHz16kHztively becomes another channel signal and can
SOLOSOLOSOLOSOLOAUX 1-2be panned from left to right. This knob then
adjusts the amount of signal sent, left versus
TALKBACK
right, to the MAIN OUTS (12) (16).
The mixerOs pan circuits employ a design
TAPE RETURNOOMAXcalled Oconstant loudness.� As the knob is ro-
LRLRLRLRTO PHONES / C R
PANPANPANPANPHONES / C-Rtated from left to center to right, the sound will
LEVEL
L/R ASSIGNL/R ASSIGNL/R ASSIGNL/R ASSIGNremain at the same apparent volume. To attain
MAIN MIXthis, both sides of the signal must dip down
SUBSUBSUBSUBTAPE RETURNLEFT/RIGHT
TO MAIN MIXabout 4 dB when panned center, to account for
1234
the Odoubling� of the signal.
dBdBdBdBdB
1010101010
59. L/R ASSIGN
55555
UUUUUThis switch allows a subgroup signal to be
sent to the main mix. Engaging this switch will
55555
not interrupt signal at the SUB OUTS (8) jack.
1010101010
For live sound, subgroups allow a group of
2020202020
channels to be controlled by one or two sub-
3030303030
group faders, and then sent to the main mix
4040404040
5050505050using this switch and its associated PAN (58)
6060606060
OOOOOOOOOOcontrol.
For multi-track recording, subgroups can be
used to route groups of channels to specific
tracks of a multi-track recorder via the SUB
OUTS (8). In this case, L/R ASSIGN should not
be used.
24 |
ACEC
