slowest repeats at 10. DAMPING/DEPTH able from 0.5Hz to 20Hz. Depth is adjustable
controls the damping, with the darkest tone atfrom 0% to 100%.
0 and the brightest tone at 10. Since the delayPHASER: This effect is perfect for enhanc-
effect is not stereo, it is not affected by theing strummed acoustic guitar or electric guitar
WIDE switch.power chords. The PHASER effectively dupli-
DELAY 1: One repeat. Works best forcates the popular 70Os phase shift effect used
slapback delay used in country and swing gui-for guitar. Rate is adjustable from 0.5Hz to
tar, and for rockabilly and some country vocals.35Hz. Depth is adjustable from 50% to 100%.
Delay range is adjustable from 5ms to 524ms.
DELAY 2: Two repeats. Provides a fuller, moreTIME/RATE
dramatic effect for rock and gospel vocals,If you have a reverb effect selected, this
acoustic guitar, and wind instruments such ascontrol adjusts how long the reverberation
flute. Especially effective for some finger-pickinglasts, with 0 being a short reverb time and 10
styles. Delay range is adjustable from 5ms tobeing the longest.
524ms.If you have a delay effect selected, this adjusts
DELAY 3: Three repeats. An excellent delaythe amount of time between the original signal
for slow, bluesy vocals and melodic flute music.and the delayed signal, with 0 being a short delay
This delay usually works best when the chan-time and 10 being the longest delay time.
nel EFX send is set at less than halfway. DelayIf you have a chorus, flange, or phaser effect
range is adjustable from 5ms to 524ms.selected, this control adjusts the rate or speed
DELAY 4: Four repeats. This is for very dra-of the modulation of the effect.
matic delay effects, particularly for enhancing
long vocal notes and dramatic instrumentalDAMPING/DEPTH
note-chopping effects. Be sure to set the chan-If you have a reverb or delay effect selected,
nel EFX send at about halfway. Delay range isthis control adjusts how fast the higher fre-
adjustable from 5ms to 524ms.quencies roll off in the reverberation or delay,
Modulation Effectswith 0 having little roll off and 10 having the
most roll off.
These include Chorus, Flange, and Phaser,If you have a chorus, flange, or phaser effect
and are generally used for enhancement of
selected, this control adjusts the depth of the
instrumental music. However, Chorus adds amodulation of the effect.
dramatic effect to vocals as well. The WIDE
switch is very effective at dramaticallyWIDE
increasing the strength and thickness of aDepending on the effect selected, this
modulation effect. For example, using WIDE onswitch adds more width or depth to the effect.
Chorus mimics a multi-voiced chorus effect.Note that it doesnOt work with the DELAY and
TIME/RATE controls the effect Rate,PHASER effects because they are monophonic.
which is the speed of the sweeping effect. Fully
counter-clockwise produces the slowest sweepsBYPASS
and fully clockwise produces the fastest.Pushing in this button causes the adjacent
DAMPING/DEPTH controls the effect
EFX BYPASS indicator to light and mutes the
depth, which is the strength of the sweepingeffectsO output signal. It affects only the internal
effect. Fully counter-clockwise produces the
EMAC effects, not any external effects processor
lightest sweeping effect and fully clockwiseyou may have connected to the STEREO EFX
produces the thickest.RETURN 2 jack.
CHORUS: Provides a soft, ethereal sweeping
effect. Perfect for enhancement of electric andCLIP
acoustic guitar and bass. Also adds a dramaticThis indicates when the EMAC is 6 dB below
effect to vocals, particularly group harmonies
clipping. Just like the channelsO ZERO LEVEL
and choirs. The channelOs EFX 2 (INT) LED, this LED should only light occasion-
should be set halfway or higher. Rate is adjust-
ally. If it blinks frequently, you should turn
able from 0.5Hz to 30Hz. Depth is adjustabledown EFX 2 SEND a little.
from 0% to 100%.
FLANGE: Creates a strong sweeping effect,
particularly effective on rock electric guitar,
lead and rhythm. The channelOs EFX 2 (INT)
should be set halfway or higher. Rate is adjust-
19 |
ACEC
